Attention: For textbook, access codes and supplements are not guaranteed with used items.
Arrives in 3-7 Business Days
A landmark book, brilliant, thoughtful (The Atlantic) and raw and gorgeous (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead.
Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with reality, precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.
Sarah Manguso is the author of The Two Kinds of Decay, a memoir, and two books of poetry, Siste Viator and The Captain Lands in Paradise. Read Manguso's guest review of Reality Hunger:
"I doubt very much that Im the only person whos finding it more and more difficult to want to read or write novels," David Shields acknowledges in Reality Hunger, then seeks to understand how the conventional literary novel has become as lifeless a form as the mass market bodice-ripper. Shields provides an ars poetica for writers and other artists who, exhausted by the artificiality of our culture, "obsessed by real events because we experience hardly any," are taking larger and larger pieces of the real world and using them in their work. Reality Hunger is made of 600-odd numbered fragments, many of them quotations from other sources, some from Shieldss own books, but none properly sourced--the project being not a treasure hunt or a con but a good-faith presentation of what literature might look like if it caught up to contemporary strategies and devices used in the other arts, and allowed for samples (that is, quotation from art and from the world) to revivify existing forms. Shields challenges the perceived superiority of the imagination and exposes conventional literary pieties as imitation writing, the textual equivalent of artificial flavoring, sleepwalking, and small talk. I cant name a more necessary or a more thrilling book. --Sarah Manguso
(Photo Marion Ellinger)
MORE FROM THIS COLLECTION